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Tech Zombie Meaning
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From Haitian Slavery To ‘the Walking Dead’: The Forgotten History Of The Zombie
Data center AI demand could revive zombie nuclear reactors • Jan 22, 2025 6:49 am ET (TechCrunch)
A zombie, a creature of the dead, is often depicted in fiction and horror films. Although its roots probably go back to the zombies of the Haitian voodoo religion, modern zombie fiction is largely inspired by the work of American filmmaker George A. Created by Romero.
Applied to a variety of living things, they generally share several defining characteristics, perhaps the most important of which is the lack of free will. Zombies are usually completely subjugated to an external force, such as a witch, or to an overwhelming desire for human flesh, such as revenge or violence. Another important difference that some have pointed out is that a zombie is the animated corpse of a living being, usually a human. Zombies are often depicted as tortured and decomposing, but in some cases their bodies are preserved, especially when magic is involved, and they sometimes display superhuman qualities such as increased strength and speed.
Zombies can be made in many different ways. Earlier images derived from Haitian voodoo often refer to the witch as a means of reviving the dead. Haiti
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Said to have been created by evil priests or witches to do their bidding. There are two parts to the Vodou process: First, a
Created by removing part of a person’s soul. This part of the soul can then be used for further magic, restoring the person’s body or not
. Methods of zombification developed in fiction include exposure to radiation and infection. In the latter case, the danger of the so-called “zombie apocalypse” in which the final zombification of the human population through violence seems inevitable. Zombies are often spread by killing or infecting others – usually by biting them – who become zombies themselves.
It is generally accepted that the impulses and movements experienced by the Walking Dead reside in the brain. Therefore, removing the head or disrupting the brain-body connection will stop them. Since zombies are already dead in most cases, it is generally considered impossible to kill them by conventional methods such as shooting, poisoning, or stabbing unless the brain is damaged or destroyed. In cases where zombification is caused by magic, the zombie is likely to cease upon the death of its owner.
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It entered the English lexicon in the 18th or 19th century, often attributed to the British writer Robert Southey, although the idea of the walking dead has existed in various cultures for centuries. It is believed that the idea of zombies in fiction was first described by a non-fiction book
, a Haitian travelogue by William Seabrook, first published in 1929, recounts his observations of Vodou.
– Released. In it, a man in love interviews a witch (played by Bela Lugosi) who turns his love into a zombie so she can control him after he marries someone else. The woman “dies” and is cremated, but is later resurrected by magical powers. More Vodou-influenced zombie movies followed, including a loose sequel
(1943) As the United States enters the nuclear age, stories of zombies and aliens begin to merge in a cult film directed by Ed Wood.
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(1959) in which aliens attempt to enslave the dead. In the 1940s, zombies also became a common feature in comic books and pulp magazines, and in these media they were depicted as rotting corpses rather than preserved corpses.
A major turning point in zombie with the film American director George A. Romero’s “Night of the Living Dead” (1968) took place. This low budget film – partly
(1954), Richard Matheson’s novel, which depicts vampires born with a desire only for blood, cemented the zombie concept that would last for decades. The film revolves around a farmhouse filled with people attacked from The Walking Dead who are resurrected through some obscure means with radiation. Romero considered the film more of a social commentary than a monster film, focusing on the inability of the living to defend themselves from the threat of the undead. Weird, word
-Romero himself was not directly influenced by Haitian folklore and referred to the creatures as “flowers” or “meat eaters”.
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Romero is reassessed by the zombie apocalypse and his social graces – this time about the consumer.
(1978), in which several living people try to escape the dead by hiding in a shopping mall. He followed up with a series of related films over the next few decades:
The following years opened the door to hundreds of zombie adaptations, most notably the unofficial Italian series of the 1980s.
) and many other Italian zombie films followed. A popular film in the United States
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, which featured zombie-like villain Jason Voorhees, hit the screens in 1980. In 1983, Michael Jackson released a video for his song “Thriller,” filled with horror, dancing zombies. Got steam and comedy zombie movies like zombie comedy
, which was released in 1985 and spawned a series of sequels. In addition to the popular zombie comedy,
), the decade was the most exciting for bringing zombies to video games. In 1996, the first game in the Resident Evil series (also known as
) begins with characters trying to navigate a zombie apocalypse caused by a virus. Several series have been released for various game consoles, as well as several movies based on the games.
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, a light arcade game, was released the following year. It also spawned several sequels and a big screen adaptation in 2003. The popularity of zombie video games has also contributed to the rise of zombie films in Asia, including Hong Kong.
At the beginning of the 21st century, zombies increased in popularity. Zombie books appear frequently, and author Max Brooks has released two languages
, which debuted in 2003 and was adapted for television in 2010. Zombie movies and video games became popular, and in Danny Boyle’s apocalyptic the zombie threat came from angry mobs to angry sprinters.
(2008), both of which followed a simple continuum. Zombie comedy enjoyed a revival with the self-proclaimed British “rom-zom-com” (romantic-zombie-comedy) Shaun of the Dead (2004), which illuminated aspects of the zombie genre, paving the way for comedies.
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In the 21st century, zombies have come alive from the big screen and the page. Major cities around the world host “zombie marches,” groups, sometimes impromptu, of people dressed as zombies; Some people have offered zombie fitness classes or materials where participants learn skills to help them survive a zombie apocalypse; And the Centers for Disease Control and Prevention also posted a Zombie Preparedness article on their public health blog to generate buzz about disaster preparedness in general. With zombie entertainment from shows to video games to the big and small screens, it’s clear that the zombie menace is unstoppable. Turns out the zombie apocalypse isn’t as fun as they say – Rebecca Solnit Our Dangerous World
A listless, lethargic population, present but not present – if it happened at night, it would be a scary sci-fi movie. And if you look far enough from your phone, you’ll see that it’s already started…
There is no one at home. Not in that young woman with the big headphones spinning against the light. Not in the person who looks at their phone in the middle of the crosswalk, or the person who talks to someone who isn’t there and doesn’t care what they’re pushing in the stroller, or the distracted driver who can’t see him. Watch out for those cyclists. and pedestrians. So I’m going into a world of people who aren’t there all the time and sometimes aren’t there – and they don’t look like anyone there.
Aversion to direct contact with others is so common in my hometown of San Francisco, a city so engulfed by Silicon Valley that I avoid myself after many encounters with people who seem that way. A random comment or question from a stranger and often no response. I wander in a ghost town
Review: Star Trek Viii: First Contact [1996]; Someone Get These Damn Time Travelling Zombie Cyborgs Off My Planet!
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